Collision Line
Where the performed self meets the buried self
Collision Line
Mixed-Media Sculpture · Closing Work €2,800 Original Artwork · One of One Enquire about this workThe largest piece in the collection, and the one that closes the exhibition. A charcoal-finished birch panel holds two languages at once — structured gold thread and brass nails on one side, torn black sheer fabric and loose red rope on the other. A cowrie shell sits where the two meet.
Every other work in the collection names a single pattern. This one names the moment two versions of the same woman actually meet each other, and it refuses to resolve what happens next.
- 120×60cm birch plywood panel, 3mm
- Charcoal finish across the full panel
- Gold thread
- Brass nails
- Red rope
- Torn black sheer fabric
- Beads
- Cowrie shell
120 × 60 cm · Ready to hang
- Panel charcoal-finished by hand before construction begins
- Gold thread and brass nails set in a controlled, structured formation on one half
- Black sheer fabric hand-torn, not cut, for the opposing half
- Red rope laid loose against the torn fabric
- Cowrie shell placed at the collision point between the two halves
35 hours of hand labour · The largest work in the collection
Collision Line is a unique, one-of-one original. It took 35 hours to build by hand and closes The Architecture of Self-Betrayal as its final work.
Each work includes a signed certificate of authenticity, care instructions, and symbolic notes written by the artist explaining the compositional decisions within this piece.
Ships from Budapest, Hungary. Carefully packed and insured. Delivery timeline and shipping cost confirmed at enquiry stage. International shipping available. For questions about customs or delivery to your country, include your location in the enquiry form.
What you are looking at
One half of this panel is controlled. Gold thread, brass nails, a formation held in place by intention. The other half is torn — black sheer fabric ripped rather than cut, red rope resting loose against it, nothing measured or contained.
The cowrie shell sits in the buried self. It carries its own weight, inherited rather than chosen, sitting at the point of collision rather than on either side of it.
Every other sculpture in this collection names one pattern and stops there. This one holds two things in the same frame and offers no way to resolve them into one. The line is the whole subject. Nothing here explains what happens after the collision.
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€2,800 · One of one · Ships insured from Budapest. Submit an enquiry for availability, shipping to your country, or payment arrangements — I respond within 48 hours.
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