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The Dreams Collection
An ongoing body of conceptual and ritual artworks inspired by recurring dreams, symbolic memory, and the unseen patterns that shape human experience.
Working with brass, rope, wood, textiles, beads, and found materials, each sculpture translates an invisible psychological landscape into physical form. Every work begins with a dream. Rather than illustrating those dreams literally, the sculptures transform their symbolic architecture into contemporary ritual objects that invite reflection, interpretation, and dialogue.
Well Gate
Brass, rope, velvet, gold beads on linen · 60 × 60 cm · 2026 Original ArtworkConstructed from brass nails, rope, velvet, and gold beads, Well Gate examines containment, reciprocity, and the invisible boundaries through which abundance is accepted or refused. The overflow cascades outward from a matte black centre while twelve gold beads sit outside the circle, refused entry.
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Restart Spiral
Brass nails, cotton yarn, wood, glass bead on linen · 60 × 30 cm · 2026 Original ArtworkA spiral of thirty-three brass nails bound with cream yarn and interrupted by exposed points and a single red bead. The work explores repetition, interrupted momentum, and the symbolic tension between beginning and completion. Three bare nails at the centre remain unwrapped — the point never reached.
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Untitled
Original work currently in development · 2026 In DevelopmentAnnounced to the waitlist before it publishes anywhere else. Each new work in The Dreams Collection emerges from the same symbolic architecture — a dream translated into material form.
Join the WaitlistThe Dreams Collection explores the meeting point of dream, ritual, and material memory.
Each sculpture begins with an experience that resists language and becomes an object through repetition, handcraft, and symbolic form. The materials — brass, rope, velvet, beads, linen — are not chosen decoratively. Each one is chosen because it holds a specific symbolic weight that corresponds to the invisible structure being translated into physical form.
Rather than offering fixed interpretations, the works invite viewers to encounter their own meanings through observation and presence. The precise mathematical and compositional decisions in each piece — the number of nails, the placement of beads, the areas deliberately left empty — are structural decisions that carry the meaning rather than illustrate it.
The collection is ongoing. Each new work emerges from the same process: a dream, a pattern within it, and the slow labour of translating that pattern into a physical object that can be lived with.
Obianuju Tóth
Nigerian-born, Hungary-based conceptual and ritual artist. Her interdisciplinary practice explores identity, symbolic memory, dreams, and transformation through sculpture, installation, writing, music, and performance. Based in Budapest.
14 to 22 hours per piece. Every nail, strand, and bead placed individually across multiple sessions.
Each design is limited and will not be remade in identical form. Production is inherently bounded by the labour each work demands.
Carefully packed and insured. Certificate of authenticity and symbolic notes included with each work.
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For questions about availability, dimensions, shipping, payment arrangements, or to request additional images of a specific piece — reach out directly.